![]() ![]() ![]() Everything seemed possible, and within reach. The ’90s was a time when India was opening up-both economically, and culturally, with the advent of satellite television. But it is actually about the outsized aspirations of the male protagonist Prem, and the heavy psychic burden of frustrations and resentments they inflict on him. The film’s tagline-“love comes in all sizes"-may give the impression that it is about the overweight bride, Sandhya. It marks a cinematic departure in the way it takes the rom-com out of the urban cool register and refashions it for the Indian aam aadmi (and I mean aam aadmi in a gender-specific, aurat-exclusive way). But DLKH is much more than a rom-com with a retro, small-town twist. It has been slotted as a heart-warming romantic comedy. Critics have largely praised DLKH as a fine rendition of 1990s nostalgia-citing its invocation of Kumar Sanu, cassette players, VCRs, and period detailing.
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